Purpurissum

Description

Purpurissum is a handmade natural pigment made through an ancient process described by Pliny the Elder in Naturalis Historia. It is a type of lake pigment created by dyeing finely ground marble dust with Tyrian Purple (extracted from Murex Trunnculus sea snails). The result is a rich purple pigment that has been used since antiquity in painting, manuscript illumination, and textile dyeing. Unlike direct Murex dyes, which were primarily used for textiles, Purpurissum was formulated to be a stable lake pigment suitable for painting.

Purpurissum has a warm, soft purple tone that is  a soft violet. It is highly prized for its historical significance and unique color variations, making it an important pigment for historical reconstructions and fine art applications.

Purpurissum has high lightfastness similar to mineral-based pigments and when carefully prepared and protected from excessive exposure, it remains a valuable and rare historical pigment. Its use in traditional binders such as egg tempera, gum arabic, or oil allows for its application in various painting techniques.

History

Purpurissum was one of the most prestigious pigments of the ancient world, closely associated with Roman, Greek, and Byzantine art. The production of this pigment was an attempt to make the costly and highly regulated Tyrian Purple more accessible for artistic use. While pure Tyrian Purple was reserved for imperial garments and official insignia, Purpurissum allowed artists to incorporate the revered color into paintings, frescoes, and manuscript decorations.

Pliny the Elder, writing in the 1st century AD, describes the process of making Purpurissum by steeping white earth or chalk in the dye extracted from the Murex snail. This method allowed the dye to be transformed into a stable, usable pigment. It was particularly used in Roman frescoes and Byzantine iconography, where its deep, luxurious hues symbolized wealth, power, and divine authority.

During the Middle Ages, Purpurissum continued to be used in manuscript illumination, especially for religious texts and imperial documents. Its rarity and expense led to its decline after the fall of the Byzantine Empire, and it was eventually replaced by synthetic and plant-based purples such as madder and cochineal lakes. However, interest in Purpurissum has revived in historical pigment research and traditional painting practices. In the pictured art work, German born artist, Inge Boesken Kanold is shown with some of her paintings featuring extensive use of Purpurissum and Tyrian Purple creating the beautiful and unmatched royal purples throughout. 

Health and Safety

Precautions:  
Keep out of reach of children and pets.  
Do not consume.  
Not for cosmetic or food usage.  
Do not spray apply.  
For further health information, contact a poison control center.  
Use care when handling dry pigments and avoid dust formation.  
Use particular caution with fibrous, fine, or toxic pigments.  
Do not eat, drink, or smoke near dry pigments.  
Avoid breathing in pigment dust and use a NIOSH-certified dust respirator with sufficient rating for dry pigment.  
Wash hands immediately after use or handling.  
If dust is likely, always wear protective clothing to keep out of eyes, lungs, and off skin, as well as keep the area ventilated.  
This product may contain chemicals known by the State of California to cause cancer, birth defects, or reproductive harm.  
Warnings and bottle information are abbreviated.

Pigment Information

Pigment Type: Natural (Animal-based lake pigment) from Murex dye on a mineral substrate (chalk, clay, or gypsum)  
Suitable Mediums: Watercolor, Egg Tempera, Oil, Acrylic, Fresco  
Lightfastness: Good 
Opacity: Semi-translucent to Semi-opaque
Other Names: Tyrian Purple Lake, Imperial Purple, Roman Purple  
Color Index Code: NV1
Image: Various by Inge Boesken Kanold