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Cypriot Burnt Umber Pigment

Cypriot Burnt Umber Pigment

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Description

Cypriot Burnt Umber is a handmade single earth pigment made through a historical process of extraction, drying, grinding, and calcination. This pigment originates from Cyprus, a region known for its high quality umbers, and is created by heating raw umber to intensify its warm brown hue. The calcination process enhances its richness, deepening the color to a warm, reddish brown with excellent opacity and covering power.

Cypriot Burnt Umber has exceptional lightfastness, making it highly durable for both classical and contemporary artwork. It blends seamlessly with other earth pigments, offering warm and harmonious tones in painting. Its semi-opaque quality allows for beautiful layering and depth in oil, watercolor, and tempera applications. Compared to synthetic browns, it provides a softer, more natural color, ideal for landscape, portrait, and decorative painting.

History

Umber pigments have been used in art since prehistoric times, with evidence of their use in ancient cave paintings. The natural abundance of umber in Cyprus made it a major supplier of high quality earth pigments for centuries.

During antiquity, both raw and burnt umber were widely used by Egyptian, Greek, and Roman artists for frescoes, ceramics, and architectural decoration. The heating process to create burnt umber was already well established, as it enhanced the pigment's warmth and depth, making it an ideal choice for shading and contrast.

In the Renaissance, burnt umber became an essential pigment for artists like Rembrandt, Caravaggio, and Titian, who relied on its warm, rich tone for underpainting, glazing, and shadow work. The fast drying properties of burnt umber made it particularly useful in oil painting, allowing for the rapid build up of layers. In the pictured artwork 'The Night Watch' (Dutch: De Nachtwacht) by Rembrandt van Rijn, Burnt Umber is used throughout to create the rich brown tones in both the background and foreground.

By the 18th and 19th centuries, Cyprus remained a leading producer of umber pigments, supplying European painters with this essential color. It was widely used in academic painting techniques, where its natural warmth and stability made it indispensable in portraiture, landscape painting, and classical realism.

Today, Cypriot Burnt Umber continues to be a preferred pigment in fine art and conservation, preserving its historical significance and natural beauty.

Pigment Information

Pigment Type: Natural (Iron and Manganese Oxide) from minerals (Goethite and Manganite, heat treated) (Cyprus)
Source: Iron oxide and manganese dioxide rich clay
Origin: Cyprus
Suitable Mediums: Watercolor, Oil, Tempera, Acrylic
Lightfastness: Excellent
Opacity: Semi-opaque
Other Names: Cyprus Burnt Umber, Mediterranean Burnt Umber, Earth Brown
Color Index Code: PBr7
Image: 'The Night Watch' (Dutch: De Nachtwacht) by Rembrandt van Rijn from the Rijksmuseum

Health and Safety

  • For art use only. Not for cosmetic, food or children's use.
  • Keep out of reach of children and pets. Do not eat, drink or smoke while working.
  • Avoid creating or breathing dust. Work in a ventilated area and wear a NIOSH approved dust respirator (P100 or better) when handling dry pigment.
  • Wear gloves and eye protection. Wash hands and work surfaces after use, and never rinse pigment into drains.
  • Do not spray apply, sand or burn.
  • If swallowed or if you feel unwell, contact a poison control center (U.S. 1-800-222-1222) or a doctor.
  • Safety Data Sheet available on request.

Caution: Natural earths and minerals contain crystalline silica (quartz). Breathing the dust over long periods can cause serious lung disease (silicosis) and lung cancer. Always use a dust respirator with the dry pigment.

WARNING: This product can expose you to crystalline silica (airborne particles of respirable size), which is known to the State of California to cause cancer. For more information go to www.P65Warnings.ca.gov.